Veteran actress Rekha and Bollywood’s ‘Desi Girl’ Priyanka Chopra are two of the most loved divas in the film industry. Over the years, the two have shown admiration for each other on several occasions. One such moment came on Saturday morning when Priyanka shared a bold and sassy tribute to Rekha on her Instagram Stories.
Priyanka shares sassy post ft. Rekha
Priyanka Chopra took to her Instagram Stories and reposted a striking poster featuring a painting of Rekha. The portrait showed Rekha in a full diva mode, looking fierce and glamorous in a look that reminds of her film ‘Utsav’. The poster showed Rekha styled like a ‘Cleopatra’-inspired queen, full of attitude and elegance.The message on the poster read, “Better B*tch than a Bichari.”To match the vibe, the remix of the song ‘Taal Se Taal’, originally from the film ‘Taal’ starring Aishwarya Rai, Anil Kapoor and Akshaye Khanna was added with the post
Netizens confused by bold font
Soon after the post went live, some social media users admitted they had misread the bold text on the image. One netizen commented, “Why did I read Bachan?” Another wrote, “First I read Bachchan…” One more added, “I thought it was better a Bacchan (sic)”.
Rekha and Priyanka share warm bond
Priyanka and Rekha’s admiration for each other is pretty well known. Earlier this year, in June, Rekha’s iconic film ‘Umrao Jaan’ made a grand comeback to cinemas in a restored 4K version. Though Priyanka couldn’t attend the re-release event, she made sure to send her love to Rekha through Instagram. On Sunday, June 22, she shared a video clip from the film on her Stories along with a heartfelt note: “Sad not to be there to support my favourite movie and actors. It will be a legendary night. Congratulations Re ma’am.”On the work front, Priyanka was last seen in the film ‘Heads of State’, where she starred alongside Idris Elba and John Cena. Up next, PeeCee will return in the second season of the web series ‘Citadel’. She is also all set to play a 19th-century Caribbean pirate in the film ‘The Bluff’.
